Methods and Production

The modern day graffiti artist can be found with an arsenal of various materials that allow for a successful production of a piece. Spray paint in aerosol cans is the number one necessity for graffiti . From this commodity come different styles, technique, and abilities to form master works of visual graffiti. Spray paint can be found at hardware and art stores and come in virtually every color.

Stencil graffiti, originating in the early 1980s, is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) in order to form an overall design or image^. The stencil is then placed on the canvas gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface. This method of graffiti is popular amongst artists because of its swift technique that requires very little time. Time is always a factor with graffiti due to the constant threat of getting caught by law enforcement.

Modern experimentation

Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes as new media for graffiti writers. The Italian artist Kaso is pursuing regenerative graffiti through experimentation with abstract shapes and deliberate modification of previous graffiti artworks.